Spiralling Through Space...

     Smooth, rounded river rocks, ranging in size from golf balls to softballs, are carefully lined up along the ground. The outlines of a large mandala emerge from the golden earth... a walking labyrinth. One enters on the south side and follows the stone-lined path round and round, sometimes back-tracking along an arch, as the path bends back on itself before circling round to the other side.

     Stopping momentarily at the entrance, I silently thank those who created and continue to maintain this gift to the community. I breathe slowly and deeply, three times, then step onto the path before me. Placing one foot in front of the other, I feel each step as it connects me to the strength and stability of the earth. I consciously follow the sense of solidity and support moving up my leg, from the pad of my foot, through my leg bones and joints to my hips and spine. Then I step again, and again, and again.
     Walking slowly, mindfully, I am greeted by the wide and spacious center in about ten minutes. A pause, in this circle within the circle, to savor the silent energy of the whole space, precedes my return walk. Half of the larger circle is shaded graciously by huge overhanging branches of the surrounding trees. The coolness of the air, a breeze perhaps, moves over my skin. My body whispers its gratitude and my steps slow subtly to savor the cool air I am moving through. The other half of the mandala's path sits under the brilliant summer sun. My skin warms under its influence, and I am grateful to my hat. As I follow the path's turning pattern, I move in and out of the sun, in and out of the shade, passing from one tactile sense of gratitude to another.
     A labyrinth is designed to be a walking prayer, a physical meditation. My steps are accompanied by my personal walking mantra, its eight-step chant perfected on the John Muir Trail a few years ago, "Love, life, truth, beauty, abundance, and peace." I find repeating those words over and over adds an additional calming and inspiring energy to that already provided by the path of the labyrinth. It's like a Maitri or Metta chant, a prayer for all beings to be happy, healthy, and at peace.

     Tucked away in the Sierra foothills, hidden in Alta Sierra, this simple, sweet walking labyrinth is a part of Alta Sierra Biblical Gardens, located just off Highway 49, between Auburn and Grass Valley, on Auburn Street. The lush gardens lie along a small, rushing creek on the west side of the highway. Painstakingly and lovingly created three decades ago, the gardens are on private property and beautifully maintained by the family who live there. If you take the path to the left, after leaving the parking area, it winds along and over the creek, looping back to the starting place. The cool, shady path is lined with statues of figures and signs with verses from the Bible, that many visitors find deeply inspiring.
     If you turn right on the path from the parking area, it takes you away from the creek and delivers you, instead, to the walking labyrinth... my favorite of the Garden's offerings. The labyrinth's design is a very traditional one, based on the medieval labyrinth at Chartres Cathedral in France. It was created here in 1998.
     At the parking area are several shaded picnic tables, a delightful place to enjoy a book and a snack. The Gardens are open most days until dusk or 7pm (which ever is earlier). The family that owns and maintains this hidden little paradise request only three things of visitors: behave with quiet respect, remove any trash, and leave a small donation for upkeep.
     I would encourage you to visit this treasure that sits hidden "in our own backyard." Use the link above to find a map and directions. The photo above is from the Biblical Gardens website. If you don't live "in the neighborhood," you can use this link to locate a labyrinth in your area.

Fresh and Mindful...

     Dozens of local (and some not quite as local) growers gather near Old Town Auburn each Saturday morning, their tables piled high with freshly picked fruits and vegetables. The Farmers Market offerings vary with the seasons, each season ushered in with its own unique colors and aromas. Gone now are the mandarins that dominated the Market just a couple months ago, replaced by summer's near-blinding bounty.

     This weekend, there are plums arranged in a palette of seven distinct colors. Did you realize there were seven plum colors? There are a shade of green somewhere between lime and ripe honeydew, two shades of red-violet, deep purple, nearly black, and golden... and a magical hue that I am struggling here to describe... I can see it clearly in my eye's memory... but my eye and my verbal cortex are struggling to communicate... so I/we are going to resort to metaphor, a story, and see if that works...

     There is a plum tree orchard that is home to a pair of very creative and very artistic fairies. It is their job to fly about painting the plums as they ripen, adjusting their palette each day as the plums swell and grow sweeter. There are an odd number of trees in the orchard, so the tree in the center has always been a point of contention for them. Armed with their teeny-tiny paint brushes, the two fairies approach the tree, each hoping to get there first and claim the tree as her own. This year, they arrived at exactly the same moment, so decided to share the task of painting the plums. One used golden yellow, the color of butter; the other, a deep violet with only the barest hint of red. As a result, each and every plum, painted with the finest, most delicate of brush strokes, is a wondrous swirl of gold and purple.

     Of course, the plums are but one of scores of different fruits and vegetables on display at the Farmers Market. Mounds of peaches, plums, melons, strawberries, and blackberries call to passersby with their silent aromas. Nearby, tomatoes of every shape and size, glow brilliantly as though lit from within, deep reds, from fire engine to burgundy, tangerine orange, golden rod, lemon yellow, and others that sport patterns of stripes and spots. Farther down are five kinds of cucumbers, some tiny, some long and slender, others grown into great curls, and of course, adorable lemon cucs. Across the way are summer squash and zuchinni in baby sizes: solid colors, stripes, spots, and half-and-half designs. There are cilantro, basil, parsley, and more herbs I don't know. Oh, and potatoes in three colors and shapes; onions, red, white, and green; and garlic.

   Whenever Saturday finds us both in town, Janiene and I meet for coffee and then head for the Farmers Market together. For a small sum, our cloth bags are filled to the brim. This weekly ritual is a wonderful jaunt, a festive stroll in the morning sun. It's like going to the fair (with out the rollercoaster and the screaming).

     All week, my colorful and flavorful Saturday purchases find their way into my menu and my mouth. A salad made with lettuce, tomatoes, cucumbers, onions, and cilantro I bought at the "fair." For lunch, a giant artichoke. Tomorrow, I may steam potatoes with garlic and onions, and enjoy another salad. Almost as fresh as if I had raised them in my own garden, but lots less work and lots more fun!

This food is a gift of the Universe.

The earth, the sky, numerous living beings,

and much hard work contributed to its creation.

May I eat with mindfulness and gratitude,

so as to be worthy to receive it.

May I keep my compassion alive by eating in such a way

as to reduce the suffering of living beings

and preserve our planet. 

                                                (Adapted from Deer Park Monastery "songbook")

     There are Farmers Markets all around, almost everyday finds the traveling farmers in one of the little towns around here. The locations of the Auburn area Markets can be found here. Grass Valley area markets here.

Buddha Energy...

     I took myself on a delightful little "field trip" the other day to the AS IF Gallery (Artists Studio in the Foothills) in Grass Valley, a place I hate to admit I hadn't even known existed before this. On exhibit is an eclectic collection of works gathered together around a wonderfully creative idea.
     Twenty-one local artists were each given a blank white canvas on which to express their creativity and display their individual artistic style in preparation for the current showing. The unique canvases came in three sizes: quite large (about 4-foot), medium, and rather small (about 18-inches). It was the unique nature of the canvases that attracted my attention and drew me to the gallery. Each canvas is in the shape of a three-dimensional mask, a peacefully meditating Buddha face. The small airy gallery is spiritually transformed by the Twenty-One Buddhas show.

     One golden Buddha looks ancient, like he had been found in a newly discovered archeological dig. Another is painted like a deep-blue midnight sky filled with stars, giving the sense that the Buddha is peacefully dreaming. A garden Buddha is overgrown with masses of bold flowers in full bloom, another wears gleaming golden leaf prints. The branches and roots of a traditional Tree of Life spread across one tranquil face, while another has been transformed into a vibrant African ceremonial mask.
     The colors and textures, the styles and media, used by the individual artists vary widely, creating a myriad of moods. Many are calm and mindful, others wildly awake. Buddhas are painted, collaged, bejeweled, and appliqued. Masks in soft-textured pastel temperas hang in contrast with those made intense with shiny lacquers. All are beautiful and all appear to manifest an authentic human spirit.

     But it was Mosaic Buddha that touched me most deeply. Covered entirely in carefully arranged bits of blue and white tiles and beads and tiny silver mirrors, this face expresses so much depth. Distinct patterns appear to flow and move like water across the serene face, both accentuating the human shape of the face and hiding it. Mirrors reflected my own face back to me thousands of times. As I moved, the light and the pattern moved, too, changing the face of Buddha and bringing him mysteriously alive. His moving spirit directly connected to my own reflected movements.

     Adjoining the inspiring gallery are several artists' studios that display both completed pieces and works in progress. There are even classes available; it's a very "happenin' place!" The photo of the Buddhas above came to me via an email from the gallery's blog, and I share it with you in the hopes that it will fill you with enthusiasm to take yourself on a little field trip!

Om mani padme hum.

Junky Art...

     Florence Avenue in Sebastopol is home to a crazy assortment of fanciful characters. Nearly every front yard along this quiet residential street is host to a whimsical piece of metal sculpture created by Patrick Amiot out of odds and ends of metal junk. This neighborhood is, in fact, Amiot's home, too. His yard is filled to overflowing with metal characters, while other yards each showcase a solitary favorite.
     In the vast majority of neighborhoods this could never happen. In modern suburban areas, neighbors might have complained about the "junk" and turned their backs on this idea and its perpetrator. Homeowners Associations around the country have CC&Rs that would literally outlaw such playful beauty. But not this small town's residents. They embraced their hometown artist and his quirky creations by joining him in displaying his happy art.
     Firemen in yellow hats and their black-and-white spotted dogs hang out the windows of a red fire truck. An old fashioned milkman delivers his bottles to one house. Plates piled with noodles balance in the arms of a diner waitress in her apron. A bikini-clad surfer girl rides a breaking wave on her surfboard, while a statuesque soccer player kicks his ball across a green lawn. A voluptuous mermaid reclines smiling in an ivy bed. The Mad Hatter holding a tea tray stands next door to a scampering White Rabbit checking the time. A menagerie of dogs and chickens adorn cars and trucks made from a miscellaneous collection of crazy parts and pieces one might find at the dump.

      Amiot makes all this metal and plastic trash come radiantly alive with personality and energy. The sculptures seem to be only momentarily frozen in mid-stride, mid-dash, mid-sentence. Their eyes, made of turn signals, pie tins, and mirrors, sparkle, and their faces smile with genuine delight. Arms and legs, created from kitchen utensils, vacuum cleaner attachments, and old hand tools, gesture and stride. Vacuum cleaner tanks, buckets, funnels, engine parts, and toasters contribute to bodies and heads. Vehicles are constructed from lawn mowers parts and yard tools, pots and pans, children's toy parts, and more.
     My son, Dean, and I visited Sebastopol, 50 miles north of San Francisco, in the wine country of Sonoma County, on our way towards Thanksgiving festivities last fall, after each spending some restful days at the coast. We strolled up one side of the Street of Art and down the other, stopping to point and laugh aloud at each yard. We scrutinized each piece, attempting to identify the disguised components, and picking our favorites. Dean took numerous photos along the way. (The pictures shown here are both his.)
     On our way out of town, we were surprised to see more large pieces of Amiot's junk sculptures about town, dotting our path, like the whole town has adopted Amiot as their "favorite son." We stopped to do a bit of wine tasting in neighboring Glen Ellen, at BR Cohn Winery, and were pleasantly surprised to be greeted at the entrance by four more of Amiot's objects d'art, four "classic cars" with canine drivers.
     What a joy to stumble upon such happy artistic expressions! We had an hour or more during which we were lost in time and space, laughing and chatting, being inspired and delighted by whimsy and creativity. Now that's fun! Florence Avenue enthusiastically brings to life the axiom, "One man's trash is another man's treasure."

"I'm a junk artist and I think that's really my job is to let my feelings go with the junk." said Amiot. "The way it started was that I had this desire to do something other than my clay, so I decided to make this giant fisherman. I just put it right in front of the house and figured, well, if there was a city ordinance that tells me to take it away, that'll be fine. To my amazement, people actually enjoyed looking at it. People slowed down and waved. So that was the beginning, and then came another one, and they eventually started to go onto other people's front yards -- on my street, of course -- and then after six months I sold my first one." -- Patrick Amiot in an interview with "Spark" and KQED

Over the River and Through the Woods...

     The phrase "daily work commute" conjures images of gridlocked city streets and 7-lane freeways moving at a snail's pace. However, my own daily drive to work is quite the opposite. As the crow flies, my home and the school where I teach here in the foothills of the Sierra Nevada are only about 8 miles apart, but the winding country roads that connect the two cover closer to 11 miles and take me about 25 minutes to traverse.
     As I head east, the road winds through the rolling foothills, the grassy hillsides dotted with majestic old oaks and the occasional gray granite boulder. Long gravel driveways lead to rambling old ranch houses sitting on 10 and 20 acre "spreads" that are home to both domestic and wild animals. Strolling families of deer and swarms of wild turkeys outnumber the grazing horses and cows and ranging chickens.
     The next leg of the drive takes me over the Bear River on a one lane wooden bridge. The road winds down into the steep-walled granite river canyon and then climbs back up the other side, leaving Nevada County and entering Placer County, in the heart of the old 49er Gold Country. When two cars approach the river bridge at the same time, one must wait, as the bridge will only accommodate a single car. Years ago, tires on the bridge made a lovely "clackety-clackety" sound as I drove across, but road crews have since paved over the wooden slats and now the tires simply hummmm. I love to pause in the center of the bridge and look up and down the canyon at the water tumbling robustly over rocks and through pools before bending out of sight.
     The elevation on the eastern side of the river is considerably higher than on the west, and the narrow road climbs steeply up the rocky wall of the canyon, winding tightly as it climbs. Not far past the river, the road once again narrows to one lane and twists and switches back on itself before crossing an irrigation canal that carries water from the high country swiftly down to reservoirs at lower elevations.
     On the eastern side of the river, the rolling grasses and stately oaks are displaced by tight clumps of conifers and views of snow-topped mountain peaks further east. Heading north, the road is joined on the right by train tracks, the western end of the Transcontinental Railroad, which eventually heads up and over the Sierras. To the left, unseen in its winding canyon, the Bear River flows parallel to the road as well. Twists and turns carry the road steadily higher and higher to the edge of serious snow country, before ending at my school.
     What I enjoy most about my daily commute is the ever-changing nature of the landscape through which I drive. The seasons paint their unique versions of natural beauty on the land as the road climbs from one distinct foothill landscape to another.
     Right now, in the depths of winter, it is the passing storms that provide for the dynamic and changing forms that beauty takes. Some weeks, the road is but a black strip slicing through a snow-covered white expanse, overhung by trees draped in shawls of white. Last week, with its series of wet storms passing one after another, the scenery consisted of gray-on-gray textures and patterns. The road was tunnel-like as it burrowed through the dripping trees to the sounds of the car splashing along puddle-dotted asphalt. This morning, the sun rose above the distant Sierra peaks and its rays sliced across a sky devoid of clouds for the first time in days. The wet ground glistened and steamed as the dampness began to evaporate, rising in tendrils and wrapping itself around tree branches, before disappearing overhead.
     I look forward to the coming of Spring, when the roadside will be decorated with wildflowers blooming under trees budding green, and the hillsides will turn an even lusher version of emerald, so intense one can practically see the photosynthesis happening. The Bear River will run wild with snowmelt. Each day's show of colors will be a bit different from the one before, making the drive something to anticipate with eagerness.
     Summer and Autumn bring their own dynamic versions of natural beauty... but I'll save that for later... no point in moving too far out of the present... not when the present has so much to attend to, so much beauty to savor... right now...

Auld Lang Syne...

 Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne?

   

Chorus:     For auld lang syne, my dear,
   For auld lang syne.
   We'll take a cup o' kindness yet,

   For auld lang syne.

     Auld Lang Syne means "times gone by" or "the good old days," so when we sing Robbie Burns' famous 18th Century lyrics we are singing, "We'll take a cup of kindness yet for the good old days," and we are waxing nostalgic about old friends and old times that we carry in our hearts.
     This week marks the birth of Scotsman Robert Burns, a rebel with a cause, and a hero of all rebels-at-heart, who was a working man's anti-establishment, singer-songwriter, the Woody Guthrie or Bob Dylan of his day. This week also marks the birth of my "old acquaintance," Vickie, with whom I was fortunate enough to break bread and celebrate the occasion on a recent evening (Robbie, naturally, could not join us).

     Vickie and I have known one another since the second grade, not our second grade, mind you, but our sons' second grade. The boys are now 25, going on 26, fine professional young men both, so second grade was quite a few years ago. They certainly have grown and aged significantly from those primary grade years, but we haven't. We ladies have hardly aged at all, in fact, still young-at-heart and youthful in body, mind, and attitude. Our kids grow in dog-years, aging seven years to our one.
     I remember the summer our families first met, sitting on the grass in the rooting section at our sons' T-ball games. Neither of our little blond boys was particularly interested in the game itself, not in swinging at the T-mounted ball, nor in retrieving a flyball that came in their direction. They spent most of game time digging holes in the outfield grass, finding bugs, and making other interesting discoveries.
     Vickie and I share a multitude of lovely times-gone-by memories that revolve around our kids: school events, Boy Scout activities, hiking, camping, skiing, BBQing, and Big Games. And we continue to make new memories both with and without our adult children as co-participants. Vickie is a friend who makes me laugh and will cry with me when that's what is called for.

     Back to Vickie's birthday. We drank a cup of kindness to our shared good old days and to current and future good days, as well, at a restaurant I had not been to before, the Club Car in Auburn. The menu had several enticing choices, and we deliberated long before ordering delicious salmon steaks cooked with fresh ginger. We finished the meal by sharing a light and airy whipped cheesecake. Musicians played old rock-n-roll in an alcove at the back, white cloths adorned the tabletops, and the long bar was beautiful dark wood paneling that looked vintage. Vickie and I talked well into the night and, in doing so, created another fine memory to wax nostalgic about as time goes by.

     Happy Birthday, Robbie!