Where, Oh, Where?

     My writing today is based on the poem "Where I'm From" by George Ella Lyon, a poem used frequently as a model for teaching poetry with both adults and adolescents. My students' final draft poems are due tomorrow. The parts of them I have seen so far are absolutely phenomenal, so full of personal insight, such a result of real self-reflection and self-knowledge. I thought it only fair that I "turned mine in" too. I think it fits with the essence of this blog.

Where I'm From

I am Joan Margaret Griffin

I am from two queens, one Greek, one English,
And a Hebrew “Gift from God.”
I am from myths: A lion with head and wings of an eagle,
Who collects and guards golden treasure.

I am from England, Wales, and Germany,
From devote Quakers with black hats and white bonnets,
Early colonists who came on small ships.
I am from New England whaling captains, Southern backwoods hillbillies,
And hard-working Midwest farmers.

I am from SoCal, from “The Valley,”
From an “oops!” mistake, and “We choose you!” at LA County adoption.
I am from skates with keys, tree houses, kickball on Newton Street, forts in the vacant lot,
And “Be home before the streetlights come on!”

I am from swimming pools, with black stripes and starting blocks,
And from hair turned green from chlorine.
From jump-rope and jacks, black-and-white TV and Barbie dolls.

I am from homework done at the dining room table, and books consumed under the covers,
From The Beatles and The Monkees, Gilligan’s Island and Leave It To Beaver.
I am from road trips in the station wagon and 8mm family movies.

I am from lasagna made from scratch, and homemade meatloaf with instant mashed potatoes.
From ice cream cakes, Mom’s famous Lemon Snow Pie,
And Dad’s silver-dollar-sized pancakes, only on Sunday mornings.

I am from Spartans and Bruins, and football games at the Rose Bowl,
From sun, sand, and sailboats, wetsuits, and zinc oxide,
Freckles and sunburn that blisters and peels.

On one side, I am from strong silent adventuring men,
On the other, from wild and worrying women.
I am granddaughter, daughter,
I am Joan Margaret Griffin

Junky Art...

     Florence Avenue in Sebastopol is home to a crazy assortment of fanciful characters. Nearly every front yard along this quiet residential street is host to a whimsical piece of metal sculpture created by Patrick Amiot out of odds and ends of metal junk. This neighborhood is, in fact, Amiot's home, too. His yard is filled to overflowing with metal characters, while other yards each showcase a solitary favorite.
     In the vast majority of neighborhoods this could never happen. In modern suburban areas, neighbors might have complained about the "junk" and turned their backs on this idea and its perpetrator. Homeowners Associations around the country have CC&Rs that would literally outlaw such playful beauty. But not this small town's residents. They embraced their hometown artist and his quirky creations by joining him in displaying his happy art.
     Firemen in yellow hats and their black-and-white spotted dogs hang out the windows of a red fire truck. An old fashioned milkman delivers his bottles to one house. Plates piled with noodles balance in the arms of a diner waitress in her apron. A bikini-clad surfer girl rides a breaking wave on her surfboard, while a statuesque soccer player kicks his ball across a green lawn. A voluptuous mermaid reclines smiling in an ivy bed. The Mad Hatter holding a tea tray stands next door to a scampering White Rabbit checking the time. A menagerie of dogs and chickens adorn cars and trucks made from a miscellaneous collection of crazy parts and pieces one might find at the dump.

      Amiot makes all this metal and plastic trash come radiantly alive with personality and energy. The sculptures seem to be only momentarily frozen in mid-stride, mid-dash, mid-sentence. Their eyes, made of turn signals, pie tins, and mirrors, sparkle, and their faces smile with genuine delight. Arms and legs, created from kitchen utensils, vacuum cleaner attachments, and old hand tools, gesture and stride. Vacuum cleaner tanks, buckets, funnels, engine parts, and toasters contribute to bodies and heads. Vehicles are constructed from lawn mowers parts and yard tools, pots and pans, children's toy parts, and more.
     My son, Dean, and I visited Sebastopol, 50 miles north of San Francisco, in the wine country of Sonoma County, on our way towards Thanksgiving festivities last fall, after each spending some restful days at the coast. We strolled up one side of the Street of Art and down the other, stopping to point and laugh aloud at each yard. We scrutinized each piece, attempting to identify the disguised components, and picking our favorites. Dean took numerous photos along the way. (The pictures shown here are both his.)
     On our way out of town, we were surprised to see more large pieces of Amiot's junk sculptures about town, dotting our path, like the whole town has adopted Amiot as their "favorite son." We stopped to do a bit of wine tasting in neighboring Glen Ellen, at BR Cohn Winery, and were pleasantly surprised to be greeted at the entrance by four more of Amiot's objects d'art, four "classic cars" with canine drivers.
     What a joy to stumble upon such happy artistic expressions! We had an hour or more during which we were lost in time and space, laughing and chatting, being inspired and delighted by whimsy and creativity. Now that's fun! Florence Avenue enthusiastically brings to life the axiom, "One man's trash is another man's treasure."

"I'm a junk artist and I think that's really my job is to let my feelings go with the junk." said Amiot. "The way it started was that I had this desire to do something other than my clay, so I decided to make this giant fisherman. I just put it right in front of the house and figured, well, if there was a city ordinance that tells me to take it away, that'll be fine. To my amazement, people actually enjoyed looking at it. People slowed down and waved. So that was the beginning, and then came another one, and they eventually started to go onto other people's front yards -- on my street, of course -- and then after six months I sold my first one." -- Patrick Amiot in an interview with "Spark" and KQED

Aerial Acrobatics...

Driving along a two-lane highway in Colorado's Rocky Mountains north of Fort Collins, my son, Dean, and I experienced an up-close-and-personal view of a Golden Eagle in flight. We had just dropped a friend off at the Shambhala Mountain Center and were heading back down the mountain towards the Denver Airport where Dean would catch a flight home to California. Low grass and brush spread out on both sides of the mostly empty roadway, with clusters of evergreen trees standing between us and the rocky peaks a short distance away. The expansive summer sky was a faded blue; billowing clouds were beginning to build over the mountains in anticipation of an afternoon thunder and lightning display. Our plan was to get out of the high country and down into the city before the storm began.
     Off to the left a large raptor appeared low in the sky, flying parallel to the road. We slowed to admire its graceful flight. It appeared to be hunting, and we hoped we might witness its soundless dive for prey in the field. The large, dark bird sailed smoothly downward and swooped across our path to land beside a dark mound of roadkill in the middle of the road ahead of our van. We slowed some more. The large bird-of-prey looked up, directly at us approaching, and once again took to the air. Logically, Dean and I presumed the bird would fly off to the side and wait for the van to pass before returning to its roadkill meal.
     Perhaps, this individual bird had not before encountered cars. Perhaps, it thought of us as competitors for its food. Perhaps, it couldn't comprehend our size and speed. For whatever reason, it made a nearly fatal misjudgment, and in doing so, performed a death-defying feat of flying skill.
     When the giant raptor rose into the air, it flew straight upward. Pumping its broad wings powerfully, it climbed only about 100 feet before stopping mid-air in a complete stall, like a plane in airshow. At the peak of its stall, it paused weightless, before rolling backwards, talons over beak, in a tight, slow-motion back-flip, then spun back around to face the spot on the road where its roadkill lay, and dove like a missile, plummeting downwards, wings tucked tightly for speed.
     I hit the brakes, as this was all playing out unexpectedly in the middle of the road just feet in front of our vehicle. The bird abruptly changed directions once more, a moment before it would have landed. It twisted and turned in flight, heading directly towards us on a collision course. Within seconds, its gaping black beak and wide dark eyes were inches from the windshield, its broad talons and golden belly in full view near the glass. Powerful wings, wider even than the car, made one last, huge thrusting stroke through the air above the van's hood, wingtip feathers brushing the glass, propelling its body up and over the slanted windshield and roof of the van. That last muscular beat of wings, together with the lift created by the still moving van, swept the bird up to safety and out of sight.
     
     That was a Golden Eagle! 
     That was amazing!
     What just happened?
     I'm not sure I believe what I saw!
     I did not just dream that. That back flip really happened, didn't it?
     What was he thinking? How did he miss hitting us?
     It's a good thing there were two of us to see that. No one would believe it otherwise.
     I'm not sure I'd believe it myself, if you weren't here with me to confirm it for me.

Aquila chrysaetos, the Golden Eagle

 
He watches from his mountain walls,
And like a thunderbolt he falls.

~ Alfred Tennyson

Threads of Time...

     When my bed is made, there is a special Teddy bear that sits atop an array of pillows in a place of honor. Despite her rumpled and worn appearance, she is Royalty, a Queen, with a long family history.
     Nearly eighty years ago, when my mother, Louise, was just a young child, she accompanied her mother, my Grandma Edna, on a trip back to Omaha, Nebraska, from their home in Southern California. There they visited Edna's mother, Margaret.
     My Great-Grandmother Margaret's home had a huge screened-in porch, as was common in the Midwest. It was on that porch, cooled by the summer evening breezes, that the neighbor ladies gathered round a large quilting frame, chatting and telling stories, while they worked together on the final phase of quilt construction. Encircling the frame, each woman used her own fine needle to make the tiny lines of quilting stitches that only an accomplished seamstress can create. The quilt they worked on those evenings was adorned with red and blue and green "geese" triangles flying in their triangular formations across a natural muslin "sky."
     Edna joined the ladies in their communal stitching. Though her stitches were not as tight and straight as theirs, she had a steady hand and sharp eyes. Being mostly a circle of grandmothers, the ladies took pleasure in introducing young Louise to the womanly art of quilting. And despite the clumsy nature of her stitches, they left Mom's threads alongside their own, for as every traditional quilter knows, each quilt is unique and must incorporate a mistake or two for good luck. The quilt was finished, the last stitch in place, before the visiting Californians were to depart. Great-Grandmother Margaret made the Flying Geese quilt a gift to her daughter, so it traveled home with them.
     Grandma Edna used that quilt for years; I remember it lying across the end of the bed in her room when I was little. She and I would sit together on her blue-and-white bedspread, propped up on pillows, while she read stories aloud to me... nursery rhymes and fairy tales mostly.
      For years, the quilt was used as a picnic blanket, as a cover for us girls on long car trips, as a lap-blanket at football games, and for building "forts" with the sofa cushions. Washed to the point where the bold colors had faded to mere pastels of themselves, the once beautiful quilt was worn threadbare around the edges and along the seams, with stuffing peeking out all over.
     Twenty years ago, I rediscovered the tattered quilt in an old trunk in Mom's garage and decided it was too precious to discard. Turning thin paper Teddy bear pattern pieces this way and that, after a time, I was able to find just enough usable material left in the disintegrating quilt. Carefully, I stitched the pieces together, body, arms and legs, head and ears. Even more carefully, I stuffed the new bear with cotton batting, sewed on button eyes and a smooth nose of satin stitches, and tied a matching satin ribbon round her neck.
     What a beauty Queen Teddy is. Reborn, resurrected, with a new lease on life, Queen Teddy connects four generations of women. She sports threads stitched by us all... Great-Grandmother Margaret, Grandma Edna, my mother Louise, and me... each of us left our mark and, having done so, are joined by threads across time and space. Great-Grandma Margaret died before I was born, and Grandma Edna passed away while I was in high school. Queen Teddy keeps each of them alive, holding their stories in her threads and joining us all in a quaint version of "string theory."